current all time favorite writers of all time


now updated to include angélica gorodischer!

Originally posted on flotation device:

an incomplete list in no particular order…

01. ursula k. le guin
02. octavia butler
03. anders nilsen
04. michael ondaatje
05. j.r.r. tolkien
06. jeanette winterson
07. allen ginsberg
08. john porcellino
09. michael chabon
10. umberto eco
11. gene wolfe
12. thich nhat hanh
13. jaime hernandez
14. gilbert hernandez
15. joan didion
16. william s. burroughs
17. frank herbert
18. barry gifford
19. megan kelso
20. gabriel garcia márquez
21. mike mignola
22. angélica gorodischer

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lungfish wormhole

i’ve been sucked in by one of my all time favorite bands of all time!

here’s a video of an audio documentary that was done for public radio – it mercifully removes the npr sounding npr announcer introducing the doc. it is essentially a twenty minute long daniel higgs spiel – i think the interviewer edited himself out.

and a feature/profile of them. (apparently joan jett is a fan. i didn’t know that.)

also – dig these three interviews. they are long and informative! yes!

daniel higgs: here

I listen to the music and see if I can try to recognize which music is calling for which lyrics, both in the rhythm and the phrase and the feeling of the music, you know, if it suits it. You know, Asa generally initiates the melody, and then it’s um… everybody for themselves, you know? No one… we help guide each other, you know, but everybody has to sort of respond to… generally the songs sort of start in very rudimentary form, you know. It’s not until the whole band starts approaching it that it turns into a Lungfish song, you know, that we’d play in front of strangers and record.

asa osborne: here

It’s weird to think that anything you do has any kind of influence or sway over people. I mean, me personally, the things that have affected me, but I know that things that affect you are just bits and pieces, you know, certain people respond to cult-like dogmas you know, where they take everything literally and start to do that or emulate what’s said, but I think most people, things affect them, they absorb it, they may not totally agree with things that they find compelling or moving, or that’s just one tiny aspect of their life might be affected by it. If our music affects people, I can imagine the kind of effect it might have on people, and it’s like… it’s not flattering, it’s not frightening, it’s like just natural that things can affect you. It might be a part of someone’s life, and it might not be a part of someone else’s life. It’s something that is personal to you, you know. A book moves you, or speaks to you, a record, even though other people have heard it, but it’s yours in that way that you can’t talk about, and that’s one of the problems of this whole process of doing an interview or something, it’s just that… we make music, we’re not good at trying to find the meanings behind.

mitchell feldestein: here

Generally saying it’s the three of us, Nathan’s the fourth, but we’ve been together for 10 years, you know, we all understand our role, whether it’s tacit or implied, or overt, we know what we need to do to stay together, and I think you know it’s a matter of not talking about what we need to do all the time. I don’t believe in all those therapeutic moments and shit, you know. It’s not like you have to know people, it sorta happens.

long life love

listen and sing/read along. this is so, so, so very good. one of my favorite stereolab songs and that’s saying a lot. i’m usually whatever about song lyrics. most are just part of the music, more instrumentation. but some stick out. and this is one of them. it feels kind of like an ursula k le guin story to me. prog folk/fairy tales.

long life love

The skeletal ghost twirling in the sea
For having been disobeyed to people
The father had drowned his daughter’s body
No one could remember why exactly
A lost fisherman thought he’d caught big fish
The hanging bones were instead nightmarish

He rushed back home with her caught in his line
Lit a fire which appeased his panic
Kind ladies untangled her from her cling
To keep her warm covered with furs and hides
Starting to soften in the warm silence
Fell asleep untempted by her presence

He was dreaming, a tear formed in his eyes
She saw it shine, suddenly felt thirsty
Unfurled her bones, brought her mouth to the tears
She drank and drank, it felt like a river
Plunged her hand in and gently pulled his heart
Harp and full drum that would follow her prayer

They woke up all entwined breath against breath
Got up to live by the sea where they were fed
By the ocean

No they are not afraid death has its place
In order to create, in order to live

She’d beat the drum and would sing for new flesh
Sing for hair, eyes, chubby hands, legs, and breasts
All that are warm and needs wood and surface
She sang some more to bear the sleeping child
Slipped in back with him new skin against skin
Returned the harp and magnificent drum

radio loways – august 2014

01. 90s music – kimbra
02. ambitious people – negative scanner
03. everytime you touch me (1995 nyc jungle mix) – moby
04. balada de la trompeta – raphael
05. deo - amon tobin
06. jazz - mick jenkins
07. jams run free – sonic youth
08. voodoo ray - a guy called gerald
09. lodge freeway – eddie “flashin” fowlkes
10. wear clean draws – the coup
11. push it - the chalice

radio loways

the songs that took my attention in august of 2014. listen, won’t you?

unhelpful notes –

90s music. i am straight up out of my mind full on fucking obsessed with this song. the whole album is good, but this song is fiercely good. i have such a small window of tolerance for pop music that very few things sneak in, but when they do, they do. and this did. i wish more pop music was musically interesting, but maybe that’s what makes interesting pop good and interesting in the first place – that it exists within and against a backdrop of boring standardness. and the interesting is made interesting by playing against that standardness. maybe if it was all like this, i wouldn’t be into it anyways. who knows. what i do know, is that i like this song. way to go kimbra.

ambitious people. negative scanner is from chicago. they have a good sound. they have a good chicago sound. garagey, post-punk-ish, rough, stripped down. also – i like the shout singy thing that’s going on.

everytime you touch me (1995 nyc jungle mix). speaking of 90’s music. i used to be so into moby. specifically his output from like 1991 to 1997. i was way into techno and electronic music and his happy vibes were always welcome. i also finally figured out what constituted jungle and drum and bass from this particular version of (1995 nyc jungle mix). and i realized that i loved jungle. it was something that i had read about and was fascinated by even though i hadn’t heard anything. and then, once i heard this, i had a point of entry. access. and i began to explore it – feverishly tracking down comps and solo works of jungle/drum and bass artists. the beats and rhythms sounded so random and crazy at the time. i couldn’t figure them out and couldn’t imagine how anyone could dance to it. after almost twenty years of hearing the rhythm and hearing the evolution of the beat patterns, it doesn’t sound quite so insane, but i still love it. and i have a massive place in my heart for the breakbeats of the early nineties.

balada de la trompeta. holy shit is raphael dramatic. i love dramatic crooners. he seems to be kind of like a spanish jacques brel chanson interpreter. as with most dramatic crooners his output is all over the place and a lot of it isn’t to my liking. a lot of it veers into schmaltz, corn and cheese. but some of it is right on perfection. and this is one of them.

deo. i told you i like breakbeats.

jazz. i’m always happy to discover truly awesome hip hop that comes from chicago. and mick jenkins seems to be onto something. this song is truly awesome. when i first heard this one i had to listen to it five times in a row cuz it was so good.

jams run free. if you’ve known me for a long time, you already know that i’ve loved sonic youth since i was fourteen. and while i was sad that they broke up, i realize it was prolly for the best artistically cuz this second to last album of theirs was something of a stinker by their standards – or my standards for their output. very safe and npr edgy. yawn. but this track has a great sound. i do like this one.

voodoo ray and lodge freeway. did i already mention that i like acid house/techno? i do. so here’s two more.

wear clean draws. here’s some corniness – i always liked this song cuz of the positive dad to daughter words, but then after my partner and i had our son, it resonated even more and now i get a little emotional every time i hear this one. i can’t help it.

push it . i like the chalice, i played them on here before. i don’t have too much to say about them right now, but i wanted to write something since i did for all the other tracks. word.

ps – that’s mick jenkins up there. you can download the mixtape that includes jazz here.


holy shit! did you know a new monarch album came out in july? i just found out. stoked! unfortunately this album teaser thing is all i can find of it to share so far. but, it’s an awesome record from one of my favorite bands. word up.

i don’t know at what point i became such a fan of dooming droning monolith glacial metal, but it happened. be on the look out for a monarch themed wormhole that i’ll fall down and share. it seems to happen when they put out new music.


well, isn’t this everything! documentation of kraftwerk in their early longhair hippy experimental weirdo phase. before their man/machine singularity weirdo phase. as much as i love their machine music – it’s this early stuff that’s my true favorite. i’m glad this footage exists. i’ve seen snippets of it before, but never the whole thing.

also of note – dig the noise nerds who bob their head to synth squelch without rhythm. those nerds still do this! we’ve all been to those shows.

also – fucking klaus dinger, man!